{"id":658,"date":"2024-12-06T03:22:46","date_gmt":"2024-12-06T03:22:46","guid":{"rendered":"https:\/\/cybelevarela.com\/grupo\/"},"modified":"2025-02-18T12:23:21","modified_gmt":"2025-02-18T12:23:21","slug":"grupo","status":"publish","type":"page","link":"https:\/\/cybelevarela.com\/pt-br\/grupo\/","title":{"rendered":"Grupo"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"658\" class=\"elementor elementor-658 elementor-290\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-641e266 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"641e266\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-835441b\" data-id=\"835441b\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cbf2365 elementor-icon-list--layout-inline elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\" data-id=\"cbf2365\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"icon-list.default\">\n\t\t\t\t\t\t\t<ul class=\"elementor-icon-list-items elementor-inline-items\">\n\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-inline-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cybelevarela.com\/exhibitions\/\">\n\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Overview<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-inline-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cybelevarela.com\/solo\/\">\n\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">Solo<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-inline-item\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/cybelevarela.com\/group\/\">\n\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\"><span style=\"color: #ff6600\"> Group<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-38f94cd elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"38f94cd\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-15694f6\" data-id=\"15694f6\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-27a9601 elementor-widget elementor-widget-text-editor\" data-id=\"27a9601\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><strong>GROUPS<\/strong><\/p><p>2023<br \/>\u2022 Mulheres na Nova Figura\u00e7\u00e3o: corpo e posicionamento, Galeria Superficie,\u00a0S\u00e3o\u00a0Paulo<\/p><p>2021<br \/>\u2022 Richard Taittinger Gallery, Narrative Figuration 60s-70s, New York City, EUA<\/p><p>2020<br \/>\u2022 Un tiempo proprio. Liberarse de las ataduras de lo cotidiano, Centre Pompidou, Malaga.<\/p><p>2018<br \/>\u2022 Instituto Tomie Ohtake, AI-5 50 anos. Ainda n\u00e3o terminou de acabar, S\u00e3o Paulo, Brazil<\/p><p>2016<br \/>\u2022 Museu de Arte Moderna (MAM-SP), \u00datero do Mundo, S\u00e3o Paulo, Brasil<br \/>\u2022 Museu de Arte Contempor\u00e2nea (MAC \u2013 Niter\u00f3i), Ephemera : Di\u00e1logos entre vistas \u2013 cole\u00e7\u00e3o Jo\u00e3o Sattamini, Niter\u00f3i (RJ), Brasil<br \/>\u2022 Museu de Arte Brasileira (MAB-FAAP), Elas. Mulheres artistas no acervo do MAB, S\u00e3o Paulo, Brasil<\/p><p>2015<br \/>\u2022 Museu de Arte Contempor\u00e2nea (MAC-USP), Vis\u00f5es da arte no acervo do MAC-USP, S\u00e3o Paulo, Brasil<\/p><p>2014<br \/>\u2022 Museu de Arte de Goi\u00e2nia (MAG), Anos 80: liberdade e figura\u00e7\u00e3o, Goi\u00e1s, Brasil<br \/>\u2022 Museu de Arte Contempor\u00e2nea (MAC \u2013 Niter\u00f3i), Re-Exist\u00eancia da arte e pol\u00edtica 1964-2014, Niter\u00f3i (RJ), Brasil<\/p><p>2012<br \/>\u2022 Museu de Arte Contempor\u00e2nea (MAC \u2013 Niter\u00f3i), Mulheres, Niter\u00f3i (RJ), Brasil<br \/>\u2022 Museu Oscar Niemeyer, Sal\u00e3o Paranaense: uma retrospectiva \u2013 Desejo de Sal\u00e3o, Curitiba, Brasil<\/p><p>2011<br \/>\u2022 Red Dot Art Fair, New York, EUA<\/p><p>2010<br \/>\u2022 Red Dot Art Fair, Miami, EUA<br \/>\u2022 Museu de Arte Contempor\u00e2nea (MAC-USP), Entre Atos 1964\/68, S\u00e3o Paulo, Brasil<\/p><p>2009-2011<br \/>\u2022 Centre George Pompidou, elles@centrepompidou, Paris, Fran\u00e7a<\/p><p>2008<br \/>\u2022 Pal\u00e1cio das Artes, Arte Brasileira no acervo do MAC USP, Salvador da Bahia, Brasil<\/p><p>2006<br \/>\u2022 Museu Assis-Chateaubriand (MASP), S\u00e3o Paulo, Brasil<br \/>\u2022 Museu de Arte Contempor\u00e2nea, Outros 60\u2019s, Paran\u00e1, Brasil<\/p><p>2004<br \/>\u2022 Museu de Arte Contempor\u00e2nea (MAC- Niter\u00f3i), Anos 60 na Cole\u00e7\u00e3o Sattamini,Niter\u00f3i (RJ), Brasil<br \/>\u2022 121 Motivi per non dimenticare, exposi\u00e7\u00e3o itinerante, Lazio, It\u00e1lia<\/p><p>2003<br \/>\u2022 Museu de Arte Contempor\u00e2nea (MAC-USP), S\u00e3o Paulo, Brasil<\/p><p>2001<br \/>\u2022 Art Affair, Zurich, Su\u00ed\u00e7a<\/p><p>1999<br \/>\u2022 Demenga Gallery, Das 20 Jarhundert, Basil\u00e9ia, Su\u00ed\u00e7a<br \/>\u2022 Museu de Arte Contempor\u00e2nea (MAC-USP), O Brasil do S\u00e9culo das Artes, S\u00e3o Paulo, Brasil<\/p><p>1997<br \/>\u2022 Museu de Arte Contempor\u00e2nea (MAC-USP), Cidade dos Artistas, S\u00e3o Paulo, Brasil<\/p><p>1996<br \/>\u2022 Museu de Arte Contempor\u00e2nea (MAC-USP), Arte Brasileira: 50 anos de historia no acervo MAC, S\u00e3o Paulo, Brasil<\/p><p>1994<br \/>\u2022 Europ\u2019art, Genebra, Su\u00ed\u00e7a<br \/>\u2022 Patrick Barrer Gallery, Genebra, Su\u00ed\u00e7a<br \/>\u2022 Villa du Parc, Carte Blanche \u00e0 Editart, Annemasse, Fran\u00e7a<\/p><p>1993<br \/>\u2022 Zinzen Gallery, Bruxelles, B\u00e9lgica<\/p><p>1992<br \/>\u2022 Museu de Arte Contempor\u00e2nea (MAC-USP), S\u00e3o Paulo, Brasil<\/p><p>1991<br \/>\u2022 Museu de Arte Contempor\u00e2nea (MAC-USP), O Que Faz Voc\u00ea Agora Gera\u00e7\u00e3o 60?, S\u00e3o Paulo, Brasil<br \/>\u2022 Demenga Gallery, Basil\u00e9ia, Su\u00ed\u00e7a<br \/>\u2022 Patrice Al\u00e9xis Gallery, Thonon-les-Bains, Su\u00ed\u00e7a<\/p><p>1990<br \/>\u2022 Espa\u00e7o Banco BNDES, Rio de Janeiro, Brasil<br \/>1988<br \/>\u2022 Art LA, Los Angeles, EUA<br \/>\u2022 Art Basel, Su\u00ed\u00e7a<br \/>\u2022 Art Jonction International, Nice, Fran\u00e7a<\/p><p>1987<br \/>\u2022 Art Basel, Basil\u00e9ia, Su\u00ed\u00e7a<br \/>\u2022 Art LA, Los Angeles, EUA<br \/>\u2022 Editart Gallery, Genebra, Su\u00ed\u00e7a<\/p><p>1985<br \/>\u2022 Mail Art, Pace e Libert\u00e0, Ragusa, It\u00e1lia<br \/>\u2022 Centre d\u2019art visuel, Genebra, Su\u00ed\u00e7a<\/p><p>1984<br \/>\u2022 Kasper Gallery, Morges, Su\u00ed\u00e7a<\/p><p>1982<br \/>\u2022 Mail Art, Nishinomya, Jap\u00e3o<\/p><p>1981<br \/>\u2022 XVI Bienal de S\u00e3o Paulo, Brasil<br \/>\u2022 Geneva Video Circuit, Post Tenebra Lux, Genebra, Su\u00ed\u00e7a<\/p><p>1980<br \/>\u2022 Mus\u00e9e Rath, Artistes de Gen\u00e8ve- media mixtes, Genebra, Su\u00ed\u00e7a<br \/>\u2022 Cenobio Visualit\u00e0 Gallery, Mil\u00e3o, It\u00e1lia<\/p><p>1979<br \/>\u2022 Artists from the World, exposi\u00e7\u00e3o itinerante, Jap\u00e3o<br \/>1977<br \/>\u2022 Artistes en Libert\u00e9 dans la Perche, Bell\u00eame, Fran\u00e7a<br \/>\u2022 Galerie l\u2019Est\u00e9rel, Prospectives pour un collectionneur, Paris, Fran\u00e7a<\/p><p>1976<br \/>\u2022 Grand et Jeunes d\u2019Aujoud\u2019hui, Paris, Fran\u00e7a<br \/>\u2022 Salon Comparaison, Paris, Fran\u00e7a<br \/>\u2022 Cr\u00e9dit Commercial de France \u2013Passy, Formes et Couleurs du Br\u00e9sil, Paris, Fran\u00e7a<\/p><p>1975<br \/>\u2022 Gordillo Gallery, Aspectos do Realismo Europeu, Lisboa, Portugal<br \/>\u2022 Salon Feminie, Unesco, Paris, Fran\u00e7a<br \/>\u2022 Salon La Nationale, Paris, Fran\u00e7a<br \/>\u2022 Mai \u00e0 la D\u00e9fense, Paris, Fran\u00e7a<br \/>\u2022 Grands et Jeunes d\u2019Aujourd\u2019hui, Paris, Fran\u00e7a<br \/>\u2022 30 Cr\u00e9ateurs \u2013 Sele\u00e7\u00e3o 75, exposi\u00e7\u00e3o itinerante pela Fran\u00e7a<br \/>\u2022 Foire de l\u2019Estampe, Villeparisis, Fran\u00e7a<br \/>\u2022 Dhabiat Abdulla al Salem Gallery, Kuwait City, Kuwait<br \/>\u2022 Salon Dialogues, Paris, Fran\u00e7a<br \/>\u2022 Camille Renault Gallery, Un Discours d\u2019Intervention, exposi\u00e7\u00e3o anexa a IX Bienal de Paris, Paris, Fran\u00e7a<\/p><p>1974<br \/>\u2022 Rencontres Gallery, Paysages, Paris, Fran\u00e7a<br \/>\u2022 Salon de Mai, Paris, France<br \/>\u2022 Salon Comparaison, Paris, Fran\u00e7a<br \/>\u2022 Festival du Marais, Paris, Fran\u00e7a<br \/>\u2022 Centre Culturel, La Nouvelle Peinture R\u00e9aliste, Malakoff, Fran\u00e7a<br \/>\u2022 Ch\u00e2teau de Vascoeuil, Les Hyperr\u00e9alistes, Vascoeuil, Fran\u00e7a<br \/>\u2022 Galleria Internazionale d\u2019Arte, Alma Brasileira, Ascona, It\u00e1lia<br \/>\u2022 7\u00b0 Festival de Pintura, Cagnes-sur-Mer, Fran\u00e7a<\/p><p>1972<br \/>\u2022 Salon Comparaison, Paris, Fran\u00e7a<br \/>\u2022 IV Panorama da Arte Atual, S\u00e3o Paulo, Brasil<br \/>\u2022 Salon Soci\u00e9t\u00e9 Internationale des Beaux-arts, Paris, Fran\u00e7a<br \/>\u2022 Boursiers du Gouvernement Fran\u00e7ais, Vincennes, Fran\u00e7a<br \/>\u2022 Cit\u00e9 Internationale des Arts, Paris, Fran\u00e7a<br \/>\u2022 L\u2019\u0152il de B\u0153uf Gallery, Les chroniques de l\u2019\u0152il de B\u0153uf 62-72, Paris, Fran\u00e7a<\/p><p>1971<br \/>\u2022 VII Sal\u00e3o de Arte Contempor\u00e2nea, Campinas, Brasil<br \/>\u2022 Sal\u00e3o Luz e Movimento, Museu de Arte Moderna (MAM-RJ), Rio de Janeiro, Brasil<\/p><p>1970<br \/>\u2022 II Panorama de Arte Atual, S\u00e3o Paulo, Brasil<br \/>\u2022 Bienal of Montevideo, Uruguai<br \/>1969<br \/>\u2022 Sal\u00e3o da B\u00fassola, Museu de Arte Moderna, Rio de Janeiro, Brasil<br \/>\u2022 Forum des Arts, ORTF (Radio-TV francesa), Paris, Fran\u00e7a<br \/>\u2022 X Bienal de S\u00e3o Paulo, Brasil<br \/>\u2022 V Sal\u00e3o de Arte Contempor\u00e2nea, Campinas, Brasil<br \/>\u2022 XIX Sal\u00e3o de Arte Moderna, S\u00e3o Paulo, Brasil<\/p><p>1968<br \/>\u2022 Aspetos Contempor\u00e2neos da Pintura Brasileira, exposi\u00e7\u00e3o itinerante pela America do Sul<br \/>\u2022 II Sal\u00e3o ESSO dos Jovens Artistas, Museu de Arte Moderna (MAM-RJ), Rio de Janeiro, Brasil<br \/>\u2022 XVII Sal\u00e3o Nacional de Arte Moderna, Museu de Arte Moderna (MAM-RJ), Rio de Janeiro, Brasil<br \/>\u2022 II Bienal da Bahia, Salvador, Brasil<br \/>\u2022 XVII Sal\u00e3o de Arte Moderna, S\u00e3o Paulo, Brasil<br \/>\u2022 Iconografia de Massa, ESDI, Rio de Janeiro, Brasil<\/p><p>1967<br \/>\u2022 IV Sal\u00e3o de Arte Moderna, Bras\u00edlia, Brasil<br \/>\u2022 III Sal\u00e3o de Arte Contempor\u00e2nea, Campinas, Brasil<br \/>\u2022 XIII Sal\u00e3o de Belo Horizonte, Brasil<br \/>\u2022 IX Bienal de S\u00e3o Paulo, Brasil<br \/>\u2022 Concurso de Caixas, Petite Galerie, Rio de Janeiro, Brasil<br \/>\u2022 XXIV Sal\u00e3o do Paran\u00e1, Brasil<\/p><p>1966<br \/>\u2022 Primeira Bienal da Bahia, Salvador, Brasil<br \/>\u2022 Finalista Premio Air-France, Museu de Arte Moderna (MAM-RJ), Rio de Janeiro, Brasil<\/p><p>1964<br \/>\u2022 Museu de Arte Moderna (MAM-RJ), Rio de Janeiro, Brasil<\/p><p>1960<br \/>\u2022 Sal\u00e3o dos Artistas Brasileiros, Museu Nacional de Belas Arte (MNBA), Rio de Janeiro, Brasil<\/p><p>1959<br \/>\u2022 Sal\u00e3o dos Artistas Brasileiros, Museu Nacional de Belas Arte (MNBA), Rio de Janeiro, Brasil<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Overview Solo Group GROUPS 2023\u2022 Mulheres na Nova Figura\u00e7\u00e3o: corpo e posicionamento, Galeria Superficie,\u00a0S\u00e3o\u00a0Paulo 2021\u2022 Richard Taittinger Gallery, Narrative Figuration 60s-70s, New York City, EUA 2020\u2022 Un tiempo proprio. Liberarse de las ataduras de lo cotidiano, Centre Pompidou, Malaga. 2018\u2022 Instituto Tomie Ohtake, AI-5 50 anos. Ainda n\u00e3o terminou de acabar, S\u00e3o Paulo, Brazil 2016\u2022 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-658","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cybelevarela.com\/pt-br\/wp-json\/wp\/v2\/pages\/658","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cybelevarela.com\/pt-br\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cybelevarela.com\/pt-br\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cybelevarela.com\/pt-br\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cybelevarela.com\/pt-br\/wp-json\/wp\/v2\/comments?post=658"}],"version-history":[{"count":3,"href":"https:\/\/cybelevarela.com\/pt-br\/wp-json\/wp\/v2\/pages\/658\/revisions"}],"predecessor-version":[{"id":982,"href":"https:\/\/cybelevarela.com\/pt-br\/wp-json\/wp\/v2\/pages\/658\/revisions\/982"}],"wp:attachment":[{"href":"https:\/\/cybelevarela.com\/pt-br\/wp-json\/wp\/v2\/media?parent=658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}